![]() No, it’s not cheap, but for the most demanding photographers, the Sony A7R IV is worth it.If you’re looking for a new DSLR, we’ve got you covered. You’ll need perfect focus and technique to actually take advantage of all those megapixels, but the A7R IV makes this as easy as possible. The grip is a bit deeper on the A7R IV and the weather sealing has been improved. Those features are wrapped up in a body that’s familiar to anyone who’s handled a Sony mirrorless camera before, but Sony has made some small enhancements. 5-axis stabilization is built into the body, the autofocus system is the best in the business thanks Real-Time Tracking and Real-Time Eye AF, and it can shoot decent, albeit not class-leading, 4K video. The Sony A7R IV also packs in the same old features that have kept the A7 series on best camera lists for years. Equally impressive are the 15 stops of dynamic range that will help keep more details intact in high contrast scenes. If somehow 61 megapixels isn’t enough, a pixel shift mode can be used to create a 240-megapixel image, although you’ll to stitch it together later using Sony’s proprietary software. That won’t win a race with the sports-oriented A9, but it’s plenty of speed for most users. But while many high-resolution cameras will slow you down, the A7R IV can fire away at a 10 frames per second. That’s enough to make very detailed 30-inch prints, or crop a photo significantly and still get a sharp result. Remember when 45 megapixels was a big deal? The Sony A7R IV packs in 61, offering more resolution than an 8K TV. Who’s it for: Professional and enthusiast photographers who want the most detail you can get Why should you buy this: 61 megapixels of full-frame glory Read our Fujifilm X-T4 hands-on review The Best Full-Frame Mirrorless Camera: Sony A7R IV Sony That means the X-T3, which is now heavily discounted, may be the better choice for you if you don’t need stabilization, super-speed continuous shooting, or extreme slow-motion video.īut after shooting the Fujifilm X-T4 and experiencing how all its features work in concert, it’s hard to shoot with anything less. The video mode is also largely the same, offering 4K at up to 60 fps, but Full HD recording can now hit 240 fps compared to the X-T3’s 120 fps. The X-T4 does carry over much of the same tech as the Fujifilm X-T3, including the 26-megapixel X-Trans sensor, X Processor 4 image processor, and 3.69-million dot electronic viewfinder. The newly designed shutter is whisper-quiet and can fire away at 15 frames per second - which is more speed than any Fujifilm fan was even asking for. The X-T4 also took what the X-T3 did well and made it even better. The X-T4 is the first in the series to address virtually very complaint we’ve made about past X-T cameras, even solving one problem (the lack of stabilization) that was previously thought to be impossible. Battery life has nearly doubled, the fully articulating screen is great for video, and autofocus performance is encroaching on Sony territory (that is to say, it’s really good). It covers the gamut from street photography to video production and everything in between, and it does all of these things to a very high degree of competence.įujifilm X-series cameras are known for providing a great experience, but previous models always had the same annoying quirks. It doesn’t have the biggest sensor, nor the most megapixels, but when it comes to the photographic experience, no other camera delivers quite like the Fujifilm X-T4. Its classic design with analog-inspired control dials is married to modern features like 5-axis sensor-shift stabilization and a fully articulating monitor. Who’s it for: Enthusiast photographers, or anyone looking for a one-size-fits-all camera Why should you buy this: Excellent performance and great design in a compact system The best mirrorless camera overall: Fujifilm X-T4 Image used with permission by copyright holder ![]() Best mirrorless camera for beginners: Sony A6100.Best mirrorless camera for video: Panasonic Lumix GH5. ![]()
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